Whatever stirred the spirit in Cobb, he did perform mightily, along with the rest of the cast, and from that night forward audiences and critics have praised the play as precisely that "continuation of a long and undying past" stretching from the Greek theater to the present day. We thought of ourselves, still, as a kind of continuation of a long and undying past. We sat on either side of him in a box, inviting him, as it were, to drink of the heroism of that music, to fling himself into his role tonight without holding back. We were now aware that Willy's part was among the longest in dramatic literature, and Lee was showing signs of wearying. Cobb, who played Willy Loman, to the majesty and exuberance of the music to inspire him for the ordeal to come: In his autobiography, Timebends, Arthur Miller recalls that directly across the street the Philadelphia Orchestra was performing Beethoven's Seventh Symphony that afternoon, and the play's director, Elia Kazan, thought it might be a good idea to expose Lee J. Death of a Salesman at Fifty: An Interview with Arthur MillerÄeath of a Salesman had its first public performance at the Locust Street Theater in Philadelphia.
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